THE DREAMING RITUAL, Part 1:
The Premise of the Dreamer and the Dreamed
In our night dreams we are aware of a "dream self", a dreambody, engaged in various activities in the dreams we inhabit. According to many aboriginie tribal people, when we awaken the next morning our dreambody goes to sleep to dream us awake. We wake up thinking we've stopped dreaming -- nobody stops dreaming. We are the Dreamer and the Dreamed; we dream and we are being dreamed. From an aboriginal point of view, the presence and power of the dreaming permeates the vast Daytime/Dreamtime continuum.
The basic structure of this paratheatrical dreaming ritual was developed by myself in 1986. The following year, I met Aborigine, or Koori, elder Guboo Ted Thomas (see my interview with Guboo) who initiated me to a new way of seeing the Earth as a vast dreaming entity incarnating as this planet. This vision of the Daytime/Dreamtime continuum enhanced this dreaming ritual created by piecing together movements recalled from dreams into a kind of dream choreography, a ritual for triggering the forces, images, visions, and emotions innate to the dreams they originated from.
This ritual presents a non-interpretive approach to dreams. It does not require any analysis or translation of what the dreams might mean. By relaxing the search for meaning, the dream's innate meaning may have a better chance of surfacing and making itself known. Dreams have their own stories. There is also nothing you need to believe or disbelieve for this ritual to work. You simply have to do it and experience the results for yourself.
Dreaming rituals in "Orphans of Delirium" video (2004)
The Dream Movements
The first step is to recall a movement from your dream. This movement can be anything in your dream that moves; a windblown cloud, a slithering snake, the slightest turn of your head or someone else's arm. This movement does not have to be executed by your dreamself; it just has to originate in your dream. However, the movement you select must be a movement you can physically repeat upon waking the next morning. As you lay down to sleep, ask yourself to remember a dream movement. When you find a movement, execute it immediately upon awaking. If and when your dream recall falters, lie still for a few minutes. Maybe something will appear to you.
Practicing this movement throughout the day creates a somatic body memory for when it is time to energize, or charge, the actual ritual. You will eventually need at least three movements but no more than six movements -- from the same dream and/or from different dreams; too many movements can bog things down --keep it simple.
As you do your movement, do not embellish it; stay as close to the movement as you remembered it in your dream. This can help contain the innate power of the dreaming embedded in the movement. As you perform your movements, they may start triggering memories and/or emotions associated with your dreams. If this happens, let them come and go. Do not try and analyze what they mean.
On Ritual Preparations
After practicing these dream movements separately, you are ready connect them all into a movement cycle that forms the mechanical stage of this Dreaming Ritual. When you are ready, find or create a controlled setting -- any indoor or outdoor place where you will not be interrupted for about an hour and where there's at least ten feet by ten feet of open floor or ground space. Perform whatever actions are necessary to own the space of this setting. Then, start practicing each movement separately to refresh your muscle memory.
On Building the Movement Cycle
Decide which movement will be the first one. The sequence of the dream movements doesn't matter. What matters is how well they all flow together as one movement cycle. Link the end of the first movement to the beginning of the second movement to form a longer movement combining the two. Practice this two-part movement for a few minutes until it becomes one fluid motion in two parts. Then, link the end of the second movement to the beginning of the third to create a new movement combining all three together. Practice this 3-part combination until it becomes fluid and your body has memorized it. Finally, complete the whole movement cycle by connecting the end of the third motion to the start of the first one. Practice this movement cycle until it flows and your body memorizes it. (If you have more than three movements, simply extend the cycle to include them).
Practice this movement cycle until it becomes a fluid dance with its own rhythms. Let these rhythms subtly influence the form and design of the dance but don't let it corrupt the integrity of the dream movements themselves. Perform this dream choreography over and over, again, allowing its innate waves and pulses to unfold. Let any dream memories, images or feelings surface but stay commited to maintaining the movement cycle. Practice this cycle for five to ten minutes or until you don't have to think about it, until it becomes second nature.